Angela Singer's works was discussed in the latest issue of BorderCrossings Magazine in "Uncentering the Anthropocene".
"Artists like Mark Dion and Angela Singer, for instance, who began to work with taxidermy during the past 20 to 30 years, were mostly guided by materials to rediscover and to question the human–animal encounter. Why does the animal keep haunting us? Why can’t we let it go, even now that we know it’s the visible sedimentation of the suffering, destruction and corruption of ethics and culture in the West? Why can’t we just move on and forget it? Why do artists return over and over to the subject of taxidermy, wanting to reinvent it? To me that was evidence that the post-colonial critique of taxidermy was somewhat flawed and only partial. Materials invite us to slow down and that’s where artists find an extra gear. They can spend time in the studio manipulating and understanding what they’re working with: “What is the material saying to me and what can I say to others beyond the cultural structures in which we’ve already entrapped it?..."
